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As you make plans for the wedding of your dreams, the selection of a wedding photographer will be one of your most important decisions. This may be the only day of your life when all of your most important relatives and friends are together for you. Beautifully created memories can preserve this special day for the rest of your life. Your wedding day will be remembered though the eyes, the heart, the talent and the hard work of your photographer.
It is important to ask the right questions before making your decision. After the day has passed, all you will have to remember this most important day will be your wedding photography. If your photographs are less than you had hoped, there will be no way to repeat them. The photographer has just one chance to create your memories and such an important responsibility should be entrusted only to an experienced professional. Among wedding photographers in this area, there is a wide range of training, talent, style, professionalism and willingness to put forth the extra effort to create the most beautiful images.
It is very important to visit photographers and see their work.
A less effective method to select a photographer is to call many photographers to ask for price lists.
Price lists give you only numbers and very limited information about the real value of photography and service.
The following questions are provided to help you interview and select the photographer that will best suit your needs.
THIRTY-TWO QUESTIONS YOU SHOULD
ASK A WEDDING PHOTOGRAPHER
1. Are you a full-time MASTER OF PHOTOGRAPHY in business for fifteen years or more and is 100% of your income derived from your photography business? Comment: A Master Of Photography has demonstrated a high level of competence to some of the most critical individuals in the field of photography. Only three percent of the 20,000 members of the Professional Photographers Of America have earned this distinction. And a full-time photographer who owns his/her business is far more likely to have a passion for photography and take great pride in his/her work. Through experience and continued education such photographers constantly strive for new and better ways of creating images and wedding albums. On the other hand, there are a lot of newcomers who have recently picked up a digital camera, a lens and a flash and think that they can make quick money photographing weddings.
2. During the initial consultation, will I be shown complete, real wedding albums that are produced by the photographer who will photograph my wedding? Comment: Of course you should.
3. Do you attach a flash to your camera in any way whatsoever? Comment: Light that comes from the camera makes everyone look wider and flatter, washes out detail in the bride's dress, makes foregrounds brighter and makes backgrounds darker. Flash-on-camera lighting makes photographs look like they were made with a snapshot camera. Multiple, off-camera sources of flash are more flattering, produce much more detail and make all photos look more three-dimensional.
4. Will the owner of the studio photograph my wedding or will I get a staff photographer? Comment: Of course, the studio owner will be better than a staff photographer.
5. Do you use an assistant for your wedding assignments? Comment: Quality photography and professional lighting require an assistant.
6. Will you be flexible and meet with me to plan my wedding day as I want it to be? Comment: Rick has only two rules: 1. Give him enough time to do what you want done AND 2. It has to look GOOD. Otherwise, everything is as you want it to be.
7. A few days before my wedding day, will you have a planning session with me and my fiance so that the day will go as I want it to? Comment: Planning is critical to a smooth-running, stress-free wedding day. A photographer should know how to make your day flow just as you want, with a minimum of stress.
8. Will you then produce many copies of the itinerary produced during our planning session so that I may distribute them at my rehearsal dinner? Comment: Rick does.
9. What percent of your photographs are posed? Comment: The only posed photos made on your wedding day should be those you request during a planning session.
10. Will you do almost all the formal photography before the ceremony and help me plan the photography so that I will not be late for my reception? Comment: Even if the bride and groom do not want to be together before the ceremony, most of the posed photographs can be completed before the ceremony when they fit better in the flow of the day.
11. Do you do posed photographs at the reception? Comment: The reception is the worst place for posed photographs. The reception is party time when a photographer should capture all the fun as it really happens.
12. Do you do photojournalism and black and white photography? Comment: Most wedding day photos should be unposed and black and white photographs should be made at no additional charge.
13. Will you provide unlimited time on my wedding day? Comment: Many photographers set up their packages based on the amount of time they will spend with you on your wedding day. Others offer unlimited time for nearly all their wedding packages as Rick does.
14. Will you provide an unlimited number of images from which I may make my selections? Comment: Why not? The entire day should be well covered from start to finish.
15. Do you usually produce more than seven hundred images during a full wedding coverage? Comment: Rick does.
16. Do you include a CD of all photos with your least expensive package? Comment: No, I do not. Photographers make a living by selling the images they create. Why must some photographers give away everything for a relatively low price while others are able to earn more for their work? How good do you want your photographer and your photography to be?
17. Do you use the latest, state-of-the-art, top-of-the-line, highest quality professional digital cameras and computers, or do you use only entry-level digital cameras and computers for wedding photography? Comment: Let Rick personally tell you about his gear. Photographers who have to work in the lowest price ranges typically use a minimum of entry-level equipment (and place the flash on the camera).
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